Native American Drums And The History Of Native Americans

Native American drums are probably the most recognizable Native American instruments among American Indians and non Native people alike. Drums for generations have been at the center of Native lifestyle, forming what has become the foundation of religion and spirituality as well as social gatherings where a pow wow drum is center stage.


Indian tribes in North America history have all used drums in various ways to connect with a higher power known to most as the Great Spirit. To Native people, Indian drums are much more than just decorations or interesting musical instruments. American Indian drums are believed to speak to the drummer. Native drums being made in a circle represent the earth and life. The most well know being hoop drums and shaman drums which are Indian hand drums used in many personal healing and religious ceremonies as well as public ceremonies such as a Native American powwow.


The hide of the animal that is stretched over the ring brings with it unique characteristics of the spirit of the animal and brings life to the drum when played. Many people think of pounding a drum to make a sound, but to Indian drummers and those involved in modern drumming groups and drum circles, the desire is to draw out the sound. The beating drum is compared to the beating of a human heart and is said to represent the heart beat of the earth which is a belief that is classic Native American. Drums in this way become the vehicle to connect one’s spirit with that of the earth and the Great Spirit through out the history of Native Americans.


Native American Indian drums have a rich culture and because they are so important they are used in not only music but art and dance as well. Decorating a drum becomes a very personal task to the owner. The Indian drummer becomes an artist and communicates impressions of his inner feelings and beliefs in his Indian art. Some American Indian tribes use animals to decorate their drums and others use geometric patterns and everything in between. In some tribal cultures the drummer will place something of personal value inside the drum to permanently join himself with his hand drum.


The Native American designs that the artwork on the drums depict is often painted with natural earth colors taken from nature. Some are dull and others are bright coming from flowers, roots, berries, bark or herbs that are boiled to release their unique earth tones. Other Native American drums are adorned with iron oxide which is a naturally occurring red rock that can be easily crushed. When mixed with water, it produces a rich orange red dye that is much like paint and is indicative if the surrounding hillsides and rock formations like those of the beautiful Arizona red rock canyons. The region of Sedona is thought to be a special place with spiritual power like the energy created by American Indian drums.


Native American Education except for those Indian boarding schools that have tried to stamp out Native culture has always involved the sharing of beliefs through music, songs, stories and legends. It is in harmony with these forms of learning that the communication and cultural importance has been found in the use of drums. If you are interested in the spiritual aspects of life as pertain to Indian beliefs, you will enjoy owning and playing Native American drums.

Craig Chambers is an expert on Native drums and drumming. Extensive information on Native American hand drums is available at www.nativeamericandrums.net

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How to Improvise Freely on Piano!

Ah, to sit down and play. One of the joys of being able to play the piano is to know how to play it. But so few can or do. What I mean is this – if you can’t walk over to your piano, sit down and just play whatever you feel, you are shortchanging yourself on a wonderful experience. Plus, it’s not as difficult to do as many might have you think.

The thing that stops more students from being able to improvise freely is self-doubt. They just don’t believe they can do it. And of course, they lock themselves with this belief. I can relate. I had to work long and hard to give up my own set of self-limiting beliefs about what I could or couldn’t do on the piano. One of the biggest of these was “I’m not good enough.”

This thought in particular will freeze you and keep you stuck. Look at it this way. No one is good enough! That’s right! No one will ever be the best at playing piano because there will always be someone better – technically speaking that is. That’s why it’s very important to free yourself from such inane beliefs. Listen, you are good enough and you are ready to express yourself at the piano. Here’s one method that will have you improvising freely in no time.

We’ll begin with the piano lesson “Reflections in Water” as an example. It’s a free lesson that everyone has access to. The beautiful thing about this lesson in particular is that you are given a way to play the chords that sound modern and you are given the chord progression to play. You are free to create your own melodies to these chords. You see, another thing that students often don’t get is that you need a set of limitations to improvise freely. Why? Because there are so many choices!

By giving you a certain Key, chords, and chord progression to play, I’m limiting your choices so you can focus on expressing yourself rather than trying to decide what chord to play. Eventually, when you understand how limitations work, you’ll be able to create your own set.

Now, with these parameters in place, we can sit down at the piano and spontaneously create music!

Edward Weiss is a pianist/composer and webmaster of Quiescence Music’s online piano lessons. He has been helping students learn how to play piano in the New Age style for over 14 years and works with students in private, in groups, and now over the internet. Stop by now at http://www.quiescencemusic.com/piano_lessons.html for a FREE piano lesson!

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How To Play Guitar Faster

Let me start out by saying that this article is about playing guitar faster, not learning guitar faster. The ability to play fast occasionally comes naturally but most guitar players have to seriously work at out. And unfortunately the exercises you need to do to play fast are always boring. You can’t learn to play guitar fast by simply picking up your guitar and trying to play fast. You just end up playing a lot of nonsense and people will look at you funny. I’ve seen it happen. 

The key to playing guitar fast is to learn how to properly execute two things: picking between strings and alternating picking. Alternating picking simply means that you pick down on one note and then pick up to play the next. If you do not do this you will never play fast. 

The third piece of the puzzle is to learn to pick with as little effort and movement as possible. By picking with little effort and little movement the guitar pick ends up much closer to the next string after the picking movement and you can play that note that much faster. This is where I see most guitar players making a mistake. They believe that to play guitar faster you have to play it harder. This could not be further from the truth. 

If you truly want to learn to play guitar fast you have to know how to play guitar slow and deliberate first. No unnecessary motion, light touch on the guitar pick, and you must hit each string with the same amount of force every time. When you’ve truly mastered playing fast it becomes almost effortless to pull off. 

Here are a few exercises to get you started.

 The first exercise is too practice picking between strings. You will play one string by picking down or up and then play the next guitar string the opposite way. So your pick is always striking: down, up, down, up etc. The exercise is such play each of these string combinations one after the other. The numbers represent each string. For the purposes of this exercise I usually number the low E string as number 1 and the high E as number 6, but the reality is you can just as easily do it the opposite way. You will get the same result. Practice playing the following combinations keeping an even tempo. Only speed up when you can do each combination at the same speed as any other combination:

 1-2,1-3,1-4,1-5,1-6,2-3,2-4,2-5,2-6,3-4,3-5,3-6,4-5,4-6,5-6 

Here is another picking exercise. Play the following string combination striking each string 4 times: up, down, up, down:

 6, 5, 4, 3, 5, 4, 3, 2, 4, 3, 2, 1 

Now on to the left hand. There are 2 secrets to learning to play fast with your left hand: using your pinky and only lifting your fingers as far off the fretboard as you have to. A lot of guitar players never learn to use their pinkies. This is something I stress heavily on my site How To Play Guitar They will never be able to play as fast as those who do. No matter what you are playing, even if you are just fingering chords get into the habit of using your pinky as much as possible. 

OK, here is simple left hand exercise to increase you guitar playing speed ability. Before you mess around with stuff like bends, and tremolo you need to get the basics down. The basics are simply learning to switch between all fingering combinations. In the following exercise I’ve numbered your left hand fingers as follows: 1-index,2=middle,3=ring,4=pinky.

 Practice the following combinations one after another. Start on your high E string at the 12th fret, playing only on that string. Do every combination using alternating picking then move to your B string and repeat. Then move to your G string, etc.When you finish on your low E string, move back over to your high E string but this time start on the 11th fret. Continue in this manner until you end up on your low E string on the 1st fret.

 Here are the combinations: 

1-2-3-4, 1-2-4-3, 1-3-2-4,1-3-, 1-4-2-3, 1-4-3-2, 2-1-3-4, 2-1-4-3, 2-3-4-1, 2-4-1-3, 2-4-3-1, 3-1-2-4, 3-1-4-2, 3-2-1-4, 3-2-4-1, 3-4-1-2, 3-4-2-1, 4-1-2-3, 4-1-3-2, 4-2-1-3, 4-2-3-1, 4-3-1-2, 4-3-2-1 

Practice all of these exercises. If you have access to a metronome I strongly recommend that you practice with one, noting each time the highest speed at which you correctly executed the exercise. Gradually build up your speed. I guarantee that if you follow these exercises for two weeks straight just as I have said, you will end up being able to play faster than you ever imagined. By doing exercises like this there is no limit to the speed at which you will be able to play.

Scott Olewile has been playing guitar since 1979 and offers free tips on his site: How To Play Guitar

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Getting Together the Right Drum Kit

Getting together the right drum kit is not only a matter of proper knowledge, but also of patience and network. A drum kit (drum set or trap set) is a compilation of drums, cymbals and occasionally other percussion instruments arranged for apt playing by a single drummer. Quite a lot of primary and secondary percussion instruments may be tried and employed by drummers though all may not be practically considered part of the standard kit.


The fundamental of getting together the right drum kit includes a bass drum, snare drum, two rack mounted tom toms (or toms), a set of hi hat cymbals, a ride cymbal, a floor tom, and a crash cymbal. Fusion kits are generally used where the drum sizes are somewhat smaller and there is just a single rack tom. Some drummers prefer to add other tom toms and a selection of extra cymbals to the central kit. Hardware is the collection of stands, racks and pedals and typically forms an important part of the kit.


There are other secondary instruments in the kit; for example, tambourine, a china cymbal, cow bell, and wood blocks. Electronic drums are a kind of percussion instrument where the sound is produced by an electronic waveform generator or sampler instead of by acoustic vibration. The electronic drummer has virtually boundless prospects for configuring many different sounding drum kits from one set of electronic drums, simply because of its capacity to assign diverse sounds to any given pad. So to attain the right tune the drummer has to be into getting together the right drum-kit.


The drummer has to take into consideration the occasion. The precise anthology of components to a drum kit varies greatly according to musical style, personal preference, financial resources, and transportation options of the drummer. So considering all the physical and financial constraints the drummer has to go through some customization and improvisation in getting together the right drum kit


For a drummer in a scenario of rock & roll music the essential drum instruments are generally the hi hats played with the sticks, bass drum and snare drum. The ride cymbal follows this combination. These instruments are the one to help the drummer make the time and establish the fundamental beat.


Here, the main importance is given on the second and forth beat of a four beat measure. The fills and the short transitional phases are utilized by the tom-toms and crash cymbals.


In case of the jazz music the choice for the drummer are the ride cymbal and the high hats. The combinations with these are the foot and snare, with which the time is kept. Tom-toms are used more harmoniously and the bass drum is treated like just an additional tom toms. It is evident that getting together the right drum kit is a challenge for many professional drummers.


Drummers, generally, tune their drums to particular musical intervals. This means that the distance (the interval) between the tuned note of one drum and that of the other one is consistently identifiable. This can guarantee that the tonal connection between one drum and the next is constant from any starting pitch.


The drummers always need to check the integrity and condition of the drum shell. Bearing edges and shell condition are the primary areas of concern; still it does not hurt to check the hardware, and the general state of the drum.

Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, drums, drum sets, drum kits, and synthesizers, keyboards.

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Piano Lesson: Compose And Become A Better Pianist

Everyone can compose sheet music! You have to start where you are and anyone can do that. You can create your own compositions for piano! Let’s see why you should!


Where can you start?


Maybe you find it difficult to notate sheet music. Well, you don’t have to notate your music. You can record the things you do with a digital recording equipment, maybe your computer or a tape recorder.


But if you want to use sheet music? What can you do?


Let me suggest that you start by writing for piano beginners. Sheet music for piano beginners have to be very simple. Few notes and very easy rhythms. This is the place where you fit in!


If you start to write piano sheet music for beginners in progressive order you will also learn to write sheet music in progressive order. Smart idea, isn’t it!


But…, what benefits are there in writing and composing piano sheet music for your own piano playing?


Here are some of my own thoughts:


1. You own endeavors to create piano compositions will make you more aware of other composers music. Questions will arise in your mind on how to notate the things in your mind and how to arrange and so on. These questions will be in your mind and make you more aware of how other composers have written and notated their music.


You will probably look at other composers musical notation with fresh eyes trying to learn how professional composers write.


2. As you compose you will become more and more sensitive to intrinsic musical subtleties in your own music as well as in other composers music.


3. Gradually you will start to think and feel more like a composer. This will help you become a better performer as well. You will respect other composers music more, trying to convey their hearts intent to your public.


4. As you train your creative muscles by composing they will also help you as you perform piano music. Both performing and composing are creative processes requiring your heart.


5. You will become a better sight reader by composing piano sheet music. Many years ago I had an assignment to write sheet music to a musical. I encountered not a few notational problems. Problems I had not as yet solved for myself.


Afterwards I started to play piano sheet music again. To my astonishment I realized I had developed as a sight reader.


My own conclusion was that my concentrated efforts to notate my piano compositions also was a course in sight reading.


I realized I had experienced a reversed sight reading exercise by composing music with my fingers on the piano keyboard and then trying to notate the music on manuscript paper.


Do you have to buy manuscript paper?


Well, no! To notate sheet music does not need to be expensive. You can use an ordinary pencil and ordinary white paper. Sometimes I use this equipment when I have nothing else at hand. I write five lines, one bar at a time, as I compose. It works!


The musical ideas I jot down this way I can easily work more with in my notational software program on my computer later on.


To compose and write piano sheet music can be a part of your daily piano practice. Spending half an hour with piano composing, making your own piano exercices and more can increase your awareness of music and help you become a better pianist and musician.

Peter Edvinsson invites you to download your free piano sheet music, guitar tabs, ebooks, music lessons and read his sheet music blog at Capotasto Music.

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Opting for Custom Made Drum Sets

Is there actually any need to customise your drum set when you can get a ready made one? After all what is the use of custom made drum sets? First let us see what composes a drum kit? Also called drum set or trap set, a drum kit is a collection of drums, cymbals and some more percussion instruments, if needed. Cowbell wood block, chimes or tambourines can form the repertoire of a drum set of a single drummer.


The hardware of either ready made drum kits or a custom made one consists of drum stands, hoops, tension rods, drum pedals, cymbal stands, snare stands and more. A stand is provided for the hi-hat also, if the drummer likes to keep it that way. Here comes the utility of personalised drum sets.


The individual instruments that the drummer uses in his drum kit depends on the variety he holds in his hands including brushes, sticks and mallets. In this context, the bass drum and the hi hat cymbal differ a bit as they use foot operated pedals.


Custom made drum sets are opted for not only to satisfy personal preferences but also to make a style statement. The components of a drum kit are determined by the music styles. The playing style and the music style vary with theme, subject and the drummer.


The bass drums and the snare drums are the primary instruments that are used in most forms of rock music. In rock these are used to generate a drum beat. Where as, if we consider the jazz music, the drumbeat is created from the use of hi hat cymbals and the ride cymbal. Brushed snare drum and hi hats are also used in the above scenario.


Apart from musical styles and personal preference, the drummer has to keep some factors in mind. He has to have some good financial resource or his desire of making a good drum kit would get hampered.


Another factor for consideration is the availability of transportation options for the drummer. For playing and performance needs the drummer has to travel long to reach the destination. If he has a big collection in his drum set, then he might face transporting difficulty. So he, again, has to consider his financial resource to know exactly the constraints he can face if he goes on increasing his collection.


In the hardware part, as mentioned earlier, there are cymbals, tom-tom stands and hi hat stands. It is considered to be part of the base drum kit and the drummers like these two to be included in their customised drum sets as well.


Bass drum pedals, drum thrones i.e. seats or stool to sit, are the breakable part, as referred in the drum parlance. These items are usually customized as they are likely to go through a lot of adjustments and replacements. Drumheads and cymbals are most likely to get the customization effect. These tweaking are considered an essential part of the custom made drum sets.

Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, drum sets, drum hardware, and synthesizers, keyboards.

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Learn To Play Guitar for Beginners: A Lesson in Chords

Before you start instruction with any play guitar for beginners material, you should know a few things first. For example, do you know exactly what makes up a song that is played on a guitar? If you said notes, you are correct. Ifnot , now worries. That is why you are a beginner for now… but not for long.

Notes make up the foundation of another critical part of any guitar song which are theChords. Most guitar songs require you to know some chords. Chords are just a series of notes that are played in unison, and they sound very melodic when played correctly.

Now, any type of play guitar for beginners lessons you take will usually start you off with the easy to learn chords. The easiest guitar chords are G, C, D, and A. These are easy because they will not require you to use many fingers. In fact, these chords only require you to use three of your fingers. Trust me, that is as many as you need to begin with.

You achieve playing chords by pushing down on the strings at the fret on the guitar neck.The fret is the metal bar that divides the string down the neck of the guitar. Then as you push down on those strings, you strum the strings located in front of the hole in the guitars body. It is usually a good idea to start to learn to play guitar easily on an acoustic guitar first. Once you master the basics, you can then move on to an electric guitar, if you want.

Here is a good learn to play guitar for beginners tip in regard to chords. Do not press down on the strings too hard. Most beginners make the mistake of pushing down too hard. You have to find the right balance of pressure. This may take a little practice and time to get used to. If you press down too hard, or not hard enough, the chord will not sound right. Your figure will also hurt for a while until you build up calluses. This is normal.

While playing the guitar, leveling down the wrist of the left hand (or right hand if you are left handed) is also advisable. This will put less strain on your hand. Many beginners do not follow this step and that is why the guitar makes a buzzing sound, rather than a good tune. It can also lead to pain and cramping in your hand. This is why proper technique is so important.

Beginners should practice the songs that have less chord movements, like the chords that touch almost the same fret. There are plenty of these types of songs out there. Finally, try practicing with your eyes closed. Most professional guitar players very rarely look at the fret when they are playing. If they do look at the fret, it is usually because they have to play a complicated chord and they are making sure their finger placement is correct.

You should be able to memorize the hand movements of all chords. The finger and hand positions should become second nature to you. The secret to be able to play the guitar perfectly is by practicing every day. It also helps if you have excellent play guitar for beginners resources to use to learn how to play properly.

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Why Not Know About the Programmable Drum Set for a Better Understanding

Drum Machine or drum set is an electronic musical instrument designed to simulate the sound of a percussion instrument like a drum.


The original drum machines were referred to as rhythm machines because they only played preprogrammed rhythms such as mambo, tango and others. Drum sets are typically programmed by specifying which sixteenth notes of a bar a given drum will sound on.


By stringing differently programmed bars together, fills, breaks, rhythmic changes, and longer phrases can be created. Drum machine controls typically include Tempo, Start and Stop, volume control of individual sounds, keys to trigger individual drum sounds, and storage locations for a number of different rhythms. Most drum machines can also be controlled via MIDI.


A brief history of programmable drum machine


For more than a hundred years, mechanical devices have been used to help musicians keep the beat while practicing, but these had never been intended for performances.


In the 1960s, makers of home electronic organs began introducing the first drum machines, intended mainly to liven up home playing or to provide small bands of limited means a substitute for a live drummer. These early drum machines offered a narrow range of pre-set percussion sounds and generally did not sound much like real instruments.


The technology of digital electronic music took a new turn in the late 1970s, when the first programmable drum machines became available. The first stand-alone drum machine, the PAiA Programmable Drum Set, also happened to be the very first programmable drum machine. It was first introduced in 1975 and was sold as a kit with parts and instructions which the buyer would use to build the machine.


In 1978, the Roland CR-78 drum machine was released. It was one of the first programmable drum set, and had four memory locations which allowed users to store their own patterns. The following year, Roland offered the Boss DR-55. It was the first fully programmable drum machine.


Many musicians say that the real breakthrough was engineer Roger Linna LM1 of 1979, manufactured and distributed by his company, Linn Electronics.


Discussion on Programmable Drum set


Drum machines can either be programmed in real time or in step time, where the user specifies the precise moment in time on which a note will sound.


By stringing differently-programmed bars together, fills, breaks, rhythmic changes, and longer phrases can be created. Most drum machines can also be controlled via MIDI. If the drum machine has MIDI connectivity, then one could program the drum machine with a computer or another MIDI device.


By the year 2000, standalone drum machines became much less common, being partly supplanted by general-purpose hardware samplers controlled by built-in or external sequencers, software-based sequencing and sampling and the use of loops, and music workstations with integrated sequencing and drum sounds.


A drum kit consists of 13 pads x 3 banks equalling 39 sounds per kit. Sound sources can be freely selected and assigned to the pads. Fine-tune parameters such as pitch, level, and panning to create original drum kits. A large number of phrase variations including intro, fill-in, and ending patterns are also provided.

Victor Epand is an expert consultant for guitars, drums, and synthesizers. You can find the best marketplace for guitars, drums, and synthesizers at these 3 sites: guitars, bass guitar gears , drums, programmable drum sets, and synthesizers, keyboards.

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Learn How to Play Guitar Or Piano by Ear

Are you impressed with people who are able to play the piano, guitar or any musical instruments by ear? Do you think that these people are born with the talent to play music by ear? You know what? Play music by ear can be learnt. There are many methods to learn how to play piano or guitar by ear and in this article, we will explore one of these methods.

Are you able to recognize chords or scales without looking at music notations? Do you happen to know that the same chords are often repeated in most songs over and over again? If you do, then you are on your way to playing music by ear.

Playing by ear is not a matter of memorizing every chord and note in a song but by just being able to recognize the chord patterns of the song and being able to predict what chords or progressions will occur next. If you can do that, then you will be able to play by ear on any musical instruments.

Playing by ear is not a well kept secret nor is it a complicated process. On the contrary, the techniques and principles are simple and easy-to-understand. If you are a novice and is struggling to learn music theory, you will understand that the conventional method on learning how to play the piano or the guitar is a real challenge and will need to take years to master the musical instrument.

To put it candidly, learning, not to say mastering a musical instrument is not an easy task. It requires an intensive level of comprehension, application of the techniques and skill and most of all, a dogged determination.

Furthermore, it can never be really be mastered because there will always be something new to learn such as unused chord progression, unfamiliar music theory, or exploring different genres of music. So by learning how to play music by ear, you will then be able to cut through all the complexities in learning how to play the piano or the guitar in the conventional way.

The following are some simple techniques you must understand in order to play any song by ear. The first step in learning to play by ear is to learn how the melody is constructed. Especially so when learning how to play jazz piano or the lead guitar because of the solo runs involved. This is because when you know how the melody line is constructed, you will then be more able to predict where the notes of the melody are going to be.

For instance, if you know that a melody is being played in the key of say, G major, you will then first assess whether this melody sounds like it is created from a major, natural minor, melodic, minor, harmonic minor, blues, or any other scale that you can think of.

So by knowing all of these scales and being able to recognize the scales with your ear, you can then eliminate notes that are less likely to be a part of the melody in most cases.

After recognizing melodies from scales, you will be more experienced and will be able to immediately play any tune in your head!

For example, if you recognized that a song is played in G major, by knowing the notes of the G major scale, knowing what notes are most likely to be played and knowing what notes are not likely to be played, you will then be able to predict what notes will be played and what notes have already been played. It is just that simple.

By knowing what scale the songs are created from, by knowing what notes are immediately eliminated or less likely to occur in a melody or tune and by knowing what notes are most likely to be repeated, you can learn and play any song on the guitar or piano by ear. Of course, there are more to this if you want to be an accomplished play by ear musician.

Chris Chew is the webmaster of a music learning website at How To Play Jazz Piano By Ear and How To Sing In Perfect Pitch

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Do You Struggle With Proper Piano Fingering?

Do you ever notice piano players using awkward fingering when playing piano?

Believe it or not, this is a rather controversial topic.

There are people who strongly believe in proper fingering for piano pieces. There are also those who are firm believers in free-style fingering.

Let me share with you my own perspective on this topic.

Though the length of fingers differ from person to person,
we all have thumbs that are shorter than the rest of our fingers.

As a rule (or rule of thumb), the thumb is the strongest finger
of all. Thumb, index finger (2nd), and long finger (3rd) are the most used fingers for piano playing. The fourth finger and fifth finger are weaker fingers.

Below are four fingering tips that I have worked up as general
rules:

1. Never use the thumb to play a black key. The exceptions are
a) when you are playing a piece that has all black notes.
b) when you are playing a group of keys where there are black
and white keys. For example if your right hand
is to play Bb, D, and F together in Bb major chord root position, your thumb will play Bb (black note) in this case.

Thumbs are not meant to be used for black key because of its length. The most used fingers for black notes are the 2nd and the 3rd fingers. If you are playing certain scales that start with a black key such as Bb major, Eb major, Ab major, etc. You will use 2nd or 3rd finger to play the first scale note instead of the thumb.

2. When playing melody with the right hand, if there are keys that are out of reach, you may move the hand to play the note. If the key is only a couple steps down from the thumb, you may use the thumb as an anchor and cross the second finger over to reach the note on the left side of the thumb. You do not need to move the hand. Only move the second finger over.

Once the second finger plays the key, the thumb will soon follow to cross over to play other note left of the key.
Suggestion: practice the scale well to know what finger to follow.

3. Same rule applies to left hand.

4. Watch other experienced pianists whenever possible, look at
their fingering and imitate their movements. I suggest you watch those players who are well trained classically as they have spent many years going through the structured repertoire and virtuoso training that help built a firm foundation.

One important point: The function of good fingering is to ensure smoothness of musical passages.

This is especially important in the piano work of Bach
(prelude, fugues, and others) and many Classical composers.
Very often, a slight change in piano fingering could cause a
disruption of the whole phrasing.

For improvisational and accompaniment pieces, strict piano
fingering becomes less critical. In fact, every time I improvise I use different fingering combination. This is because my mood and rhythm change when I improvise, this also affects the combination of fingers I use.

If you pay attention to musical pieces edited by different
editors, you will notice a change of fingering as well. I have noticed that the same “Sonatina” piece composed by Clementi have different fingering suggestions under different editors.
Some editors use the 2nd finger more often, while others choose
the 3rd finger.

In conclusion: if you are improvising, pay less attention to
which finger you are using. As long as you abide by the above
rules and ensure a smooth flow of musical passage, you are fine.

If you get too critical about fingering, it distracts your musical thoughts and flow. After all, it is music that you are conveying.

Piano playing gets rather complicated when you are trying to
balance both hands, keep a steady tempo (rhythm), make sure
the pedals are going in at the right time, listening to the music,…..

Have fun making music!

Yoke Wong is the founder of Harmony and Melody Studio, Inc, a leading piano educational publisher. Learn more about her service at http://www.playpianotips.com

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